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Redhead as the Queen of Ghosts, The: Stephen Hatfield (TTBB)
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This piece merges plainsong influences with the sensuous lushness of the post-romantic male choir. The piece also contains two soundscapes the conductor and choristers must assemble by superimposing scraps of ostinati. The music sounds both medieval and modern, both near and far-away, reflecting the sweep of time invoked in the text. (Perf. time: 3:15) (Description taken from the publisher's web site.)
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